
(1742) Fielding's follow-up to Shamela continues his critique of Pamela. It's a gender-swapped comedy in which Pamela's brother Joseph resists his female employer's advances. Compared to Shamela, JA has more nuance, more satirical targets, and more than one joke. Of course jokes that worked for his audience often don't work for me: much of it is slapstick, some based on SA. But the humor of character, manners, and wordplay still get laughs from me













