#NaturaLitsy
How are you getting on with our November #buddyread
This image really made me pause. The thought of such a magnificent living tree turned into a dance floor is mind-boggling. 🫣
This is a gorgeous photograph by the late Tony Evans, the photographer mentioned by Richard Mabey in the second chapter. I wish there were more of his photographs in the book (there's only one), especially some of those he talked about in depth.
But I found some of his work here: https://www.tonyevans-timelapse.com/landscape
Let me know if you find his photo of the ancient decaying pine with marigolds, I'd love to see it.
#Naturalitsy #photography
To answer my last post:
“Then he went to the moors of Inverness-shire and brought home a photograph of an ancient pine stump (...) heraldically studded with five marsh marigold flowers, kingcups rampant. They were rooted in damp crevices and pits in the rotting wood, portals into the boggy northern past, and Tony had achieved what he always insisted photography was incapable of, showing something that was not there.“
#Naturalitsy
“If photography can stop time, freeze it, representational painting contains it, not just because its making takes time, and therefore incorporates it, but because it can hint at what might have gone before and might come after. Might it be possible for the photograph of a plant to have something of this painterly quality, and record not just an isolated moment but suggest the organism's past and the invisible dynamics of its life? “
#Naturalitsy
