Robertson Davies and I don‘t always—often?—agree. When it comes to the theatre and music, he displays a strong preference for skilled repetition over innovation, and my response to his ideas runs the gamut from, “Hey, that‘s a great point,” to, “Wow, that‘s so offensive I don‘t even know where to start.”
Still, he‘s an interesting person who knows a lot about a lot, and I value his willingness to treat seriously what others might view as trashy.