Welcome to Litsy!

Repost for @Ruthiella

👋 Hello #FurrowedMiddlebrowClub members! This is a reminder that our bimonthly pick for July is the tagged title. I‘m looking forward to this novel about village life in the mid century… it‘s my catnip, one might say.

All are welcome to join this group read. Read at your own pace, but please do tag the group if you review or post on it so we all can like and comment.

Let @Ruthiella know if you want to be tagged/removed.

👋 Hello #FurrowedMiddlebrowClub members! This is a reminder that our bimonthly pick for July is the tagged title. I‘m looking forward to this novel about village life in the mid century…it‘s my catnip, one might say.

All are welcome to join this group read. Read at your own pace, but please do tag the group if you review or post on it so we all can like and comment.

If anyone wants to be tagged or be removed from the list, say the word. 😊

The lovely Aubrey Beardsley frontispiece and title page of Beatrice Clay's retelling of Arthurian stories.
Although written for older children of the Edwardian era, and therefore removing certain "unsuitable" elements, it's not as moralistic as I'd feared it might be. Her afterword about knightly privilege being predicated on exploitation and enslavement of peasants is rather forward-thinking. 4.75 ?

This 1934 edition of Beatrice Clay's Stories from Le Morte D'Arthur and the Mabinogion is an Edwardian retelling of the main Arthurian stories. I've had it for decades, so it's time is come to be read!
Written for children, the first 1901 edition left out Morgan le Fay, what with their relationship being "complicated", I suppose, but this reprint of the 1905 edition incorporated Morgan in suitably bowdlerised form.
⬇️

I‘m on a roll, one good book after another! One old black and white photo causes Hannah to return to London from Australia. As we get to know her, we meet past generations of her family, who they were, how they lived. Her boyfriend Max seems so great, but he‘s a ghost from the very beginning, and as we learn about her past, he does as well. It‘s a sad story, but made quite the impression.

This book had all the ingredients that I should enjoy, but somehow they just didn't work here. Miss Carter is a middle-aged woman, never married, who lives by herself in a small flat in London and works for the censor's office during WWII. Through a series of events, she finds herself in possession of an ifrit (i.e. genie). Part of the reason this book didn't quite work for me was that the ifrit's magic never really made sense to me. Apparently ⬇

I adore Rose Tremain‘s novels. I can‘t recall how I first learned about her, but I have been reading her for many years. This one is set in the 1980s in a small French village. A cast of excellently drawn characters navigate their way through life. Perfection 👏😍🙏

4⭐️ I like Celia Dale; I‘m already collecting her other titles published by Daunt Books. This one here is so refreshing. A gentle crime novel that is not too creepy, just a tad disturbing. How did she do that? I love it!

#currentlyreading #favouriteauthor

Leni is reminding me of another grumpy old woman character that I am fond of. 😂
Any other fans of Rose Tremain out there?
#currentlyreading