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I loved this book just like I loved Laurie Frankel‘s last novel. She paints such compelling and honest portraits of families.
I loved this book just like I loved Laurie Frankel‘s last novel. She paints such compelling and honest portraits of families.
Randomly reading this biography from 2000 with one of my favourite bookmarks and then i realised … OH! Well played bookmark gods.
I‘m interested in this period in Hollywood and the studio machinations behind the scenes - and man, Judy Garland was treated so badly. Her mother had her on amphetamines at the age of 10 😱😱 So I really enjoyed this - but it does have its flaws. ⬇️
What a delightful #memoir from this classy, elegant & inspiring actress from Hollywood‘s Golden Age! Sophia, now 90, survived severe poverty growing up in wartime Italy & stood up to movie moguls who wanted to change her look. Not a tell-all, just sweet stories about her films, deep friendships with her leading men & her devotion to family. Loved learning she was once a lead character in an Italian magazine‘s sultry live pictorial novelization.
I'm not really interested in Hollywood behind-the-scenes stuff but Judy Garland was in two of my favorite movies so I picked it up. It was disgusting how the movie industry treated people. I suppose it was us fans that drove it though. There's money to be made by exhibiting Judy Garland; mental health be damned. Judy grew up on stage, never had a normal life, and was never quite sane. I think she just wanted to go home but that balloon had sailed.
After I saw what happened to Fable users I was really hoping that Litsy's AI would have a go at me.
Thank you @monalyisha for running #AuldLangSpine again this year! It‘s such a fun event where you share your list of favorite reads from this year with your match and you read at least one book from each other‘s lists. I‘ve discovered some epic books from this event over the years!! Tagging one of my fave reads of this year—and because Litsy is such a special family!
As an adoptive parent, I felt incredibly seen by this book. As Frankel herself points out, it‘s vanishingly rare to see adoption portrayed in the media as a source of a (complicated, human) joy.
I struggled with this one.
Written from Matlin's first person perspective to that person's third person perspective just randomly before Matlin goes back to first person to finish the chapter which didn't help the odd pacing and overall awkwardness of the non linear.
She jumps all over the place without really going into too much detail or depth in the portion that I did read before I bailed at 20%.