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Ink
Ink | Sabrina Vourvoulias
2 posts | 2 read | 9 to read
What happens when rhetoric about immigrants escalates to an institutionalized population control system? The near-future, dark speculative novel INK opens as a biometric tattoo is approved for use to mark temporary workers, permanent residents and citizens with recent immigration history - collectively known as inks. Set in a fictional city and small, rural town in the U.S. during a 10-year span, the novel is told in four voices: a journalist; an ink who works in a local population control office; an artist strongly tied to a specific piece of land; and a teenager whose mother runs an inkatorium (a sanitarium-internment center opened in response to public health concerns about inks). The main characters grapple with ever-changing definitions of power, home and community; relationships that expand and complicate their lives; personal magicks they don't fully understand; and perceptions of "otherness" based on ethnicity, language, class and inclusion. In this world, the protagonists' magicks serve and fail, as do all other systems - government, gang, religious organization - until only two things alone stand: love and memory.
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review
BekaReid
Ink (None) | Sabrina Vourvoulias
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Pickpick

Ink imagines a near future where immigrants are given color coded tattoos to track them and their status. Released in 2012 but quite timely and frightening under our current administration. Told from multiple perspectives Sabrina Vourvoulias deftly writes of the human heart and its capacities for compassion and sacrifice. I loved how she seamlessly wove magic into the story as well.

review
Rabbitandraven
Ink | Sabrina Vourvoulias
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Mehso-so

The emotional work that went into reading this story was valuable to me, but the flaws of the storytelling make it hard to recommend it to anyone not specifically looking for near-future dystopian views of immigration policies in the US. I'm inclined to believe that the most unlikeable aspects of the story are commentary and not trope, but it requires giving the author a benefit of the doubt that the narrative does not always earn.