Monique Turner‘s debut YA thriller is a clunky polemic about influencing culture and how celebrity is a trap. It‘s an interesting high concept - especially given how pervasive influencing is - but the execution left me cold, particularly the inconsistencies in Harper‘s character and her relationship with Belle - while the influencer contest is flat, not helped by the cardboard characterisation of the influencers, which makes them interchangeable.

Richard Waters is an award-winning travel and sports writer. This very personal book is part memoir, part self-help guidance that looks at how cold water swimming and a stoic attitude helped him to come to terms with two life-changing events. Unfortunately it lacks the self-reflectiveness and raw honesty to succeed as a memoir and lacks the general life advice to work as self-help, which is a shame as the descriptions of nature are excellent.

Den Patrick‘s fantasy novel (the first in a trilogy) has interesting world-building that incorporates Norse and Russian history and tries to subvert the tropes of normal ‘young people discover magical powers‘ fiction. Unfortunately the pacing is slack, the storytelling doesn‘t stand on its logic and the characterisation - particularly of the antagonists - is rarely above the superficial, meaning I won‘t be reading on.

Farhana Islam and Nabila Adani‘s picture book is a colourful, joyous exploration of the social, family and spiritual meaning of Eid that aims to show young readers that the celebration is not just about receiving gifts. I liked the fact that it‘s aimed at Muslim readers but it does miss a trick by not giving a bit more context or explanations for non-Muslims who may want to know more about it.

Kathy Weeks‘s debut humorous novel for readers aged 9+ (the first in a trilogy) has a good narrative voice and builds its funny scenes well while Aleksei Bitskoff‘s energetic illustrations bring out the absurdity of Harper‘s family and the situations that she finds herself in. My biggest criticism is that the family‘s attitude to arriving on time for things triggered my anxiety and I would have liked a bit more normality to make it feel grounded.

Oona Hathaway is Professor of International Law and Political Science at Yale and Scott Shapiro is Professor of Law and Philosophy at Yale. This is a thorough and engaging look at the legal framework underpinning war as a means of dispute resolution and how the Grotius view of “might is right” was overturned with the 1928 Paris Peace Pact, which changed attitudes to the legitimacy of war and formed the basis of the modern international order.

Ilaria Tuti‘s debut thriller (the first in a trilogy and translated from Italian by Ekin Oklap) draws on an actual event as the basis for this uneven story of child cruelty and village secrets. Battaglia held my interest with her health issues, the hints at previous spousal abuse and her attempts to deal with the onset of Alzheimer‘s but the profiling feels very old-fashioned and her relationship with the under-developed Marini doesn‘t convince.

David Wright is a baker, writer and presenter. This thought-provoking book examines bread and its role in society and the economy, its impact on health and the environment and industry challenges (which is particularly strong and draws on Wright‘s own experiences with his family bakery). I wanted more on how gluten intolerance decreases when “proper” bread is eaten and Wright constantly repeats his credentials but it definitely held my interest.

If you‘re familiar with FERRIS BUELLER‘S DAY OFF then there‘s a huge amount to enjoy in K. L. Walther‘s YA frothy romantic comedy, which couples a lot of Easter egg references with wry narrative voices and is as much about friendship as romance. There are some fun moments to be had but I did find it difficult to keep the various families straight in my head and I worry that there‘s more here for readers aged 35+ than there are for target teens.

Nancy Fraser is Professor of Political & Social Science at the New School for Social Research and Rahel Jaeggi is professor of practical and social philosophy at the Humboldt University, Berlin. This highly academic book, framed as a conversation between the authors uses (and assumes that the reader is grounded in) critical theory to explore what capitalism is, how it‘s been viewed in history, how it can be capitalised and how it can be defeated.

This entertaining puzzle book for readers aged 8+ works imagines that the reader is a secret agent who has to complete their training at Spy HQ before they go out in the field. It has a good mix of logic and graphic puzzles - certainly something for everyone - and is a good way of introducing young readers to puzzle solving techniques but the black and white illustrations prevent some of the visual puzzles from working quite as well as they should

Emma Newman‘s fantasy novel (the first in a trilogy) is a sapphic romp featuring vampires, werewolves and pirates but while there‘s fun to be had with Morgane‘s ignorance of social mores and colourful swearing, Morgane is one of those annoying characters who doesn‘t ask questions and rushes into things without thinking. The plot is uneven, the antagonist two-dimensional and Lisette an insipid love interest whose introduction comes too late.

Katherine Ormerod is a fashion journalist, social media influencer and a fashion beauty and lifestyle brand consultancy. Published in 2018 this readable book aimed at young women is ripe for an update, mixing academic research and anecdotes from influencers to explain why social media is so bad for your well being but it downplays the role of the mass media in feeding into trends and is quiet on solutions to abuse within the fashion industry.

Gary Stevenson is a former Citibank trader turned YouTuber and anti-inequality activist. This is an absorbing memoir of his life as a top trader at Citibank but the sections setting out how he rose from a working class upbringing in Ilford, Essex to become a top trader making millions of pounds in bonuses are more convincing than the final section, which charts how he became disillusioned with his job and its role in fuelling societal inequality.

National Geographic‘s activity book for readers aged 5+ (part of a series) mixes facts about the solar system with plenty of fun activities to keep young readers busy, including maze puzzles, dot-to-dot pictures and pictures to colour. If you have a young reader who‘s interested in space then this will definitely keep them entertained but I would have liked more facts than are given and more cohesion (e.g. there is nothing on the ice planets).

The conclusion to Ann Sei Lin‘s YA fantasy trilogy delves deeper into the mythology of her Japanese-inspired world and focuses on themes of grief, loss and guilt. However there‘s too much plot here for the length of the book, which means that some storylines unfurl in too perfunctory a way and don‘t have the room they need to give the emotional punch Lin wants readers to experience, which is a real shame in the case of one character death.

Justin Lewis is an editor and writer specialising in music. This hugely entertaining compendium of pop music facts comprises a number of facts for each day of the year including song releases or the birth/death of people involved in pop music (writers, artists, producers etc). The entries cover events from 1894 up to 2023 and it‘s filled with fascinating nuggets that make it perfect for music aficionados and dilettantes alike.

Ivor Baddiel and Kathryn Selbert‘s picture book (part of a series on faith/ethnic holidays) explains what Hanukkah involves and why it‘s celebrated and Selbert‘s colourful illustrations bring the family bond to life. My only criticism is that I didn‘t quite understand why Leora was so intent on lighting the candle and why it was important to her but otherwise it‘s a solid way of introducing the holiday to young readers who are unfamiliar with it.

Philip Reeve‘s standalone adventure set in his MORTAL ENGINES universe for readers aged 12+ is a thrilling story of friendship, belonging and what it means to be a hero. Although Tamzin and Miss Torpenhow are the main characters, this is very much an ensemble piece that explores the geography of the Traction Cities‘ world at a breakneck pace. Although this is a standalone story, there is scope here for a sequel, which I would definitely read.

Lavanya Lakshminarayan‘s SF novel (the first in a duology) is an exuberant celebration of food and community that also contains themes of prejudice, colonialism and the irresponsibility of technology companies. If the characterisation is sometimes a little two-dimensional and the inevitable romance unearned, then the enthusiasm and scale of imagination carries you through to the extent that I am very much looking forward to reading the sequel.

This board book features delightfully energetic illustrations by Darshika Varma and sets out the different elements that go to make up the Holi festival. Varma‘s illustrations show different generations and use lots of bright colours. However the use of the flaps is a little underwhelming and they‘re quite flimsy and susceptible to tearing in small hands, which is a shame because I think this is a nice introduction to the festival.

Clare Harlow‘s debut fantasy novel for readers aged 9+ (the first in a series and beautifully illustrated by James Mountford) is a vividly imagined, enjoyable story with solid characterisation, a great sense of place and an interesting plot. Itsa is a well drawn and driven protagonist uncomfortable with having to trust Nat and Ruby. The fantasy elements are thought-through and the cliff hanger ending ensures I‘ll read the sequel.

Dr Amanda Brown is a GP who has previously worked in a youth detention centre and Wormwood Scrubs and currently works at Bronzefield. This compassionate sequel to THE PRISON DOCTOR focuses on her work at Bronzefield and provides an interesting insight into what drives some women to crime and the role of homelessness but the tone of the anecdotes never quite rings true and you never find out what happens to the women after their diagnoses.

Michael Nayak‘s debut SF thriller mixes 28 DAYS LATER and THE THING, drawing on his experience of working at the South Pole to lend authenticity. Unfortunately there are too many characters and many are basically names on the page so the deaths have no emotional impact while the relationships lack the development to make you care. Aside from this it‘s a solid debut with some interesting ideas and the set-up for a sequel means that I would read on.

I struggled to buy into the premise of Marisha Pessl‘s standalone YA thriller as very little about it actually makes sense. It‘s further hampered by one-dimensional characterisation (I struggled to remember who was who in the Veda Seven), a rote love triangle between two equally blah male characters. What really threw me out was how little research Pessl had done on English law or geography, which irritated me throughout the whole book.

Saifedean Ammous is Professor of Economics at the Lebanese American University. This book has useful summaries of the history of money and the development of Bitcoin but his arguments as to how Bitcoin meets the definition of money are unconvincing - no matter how many times he repeats his points - and his Austrian school economic arguments about Bitcoin‘s superiority for settlement smacks of wishful thinking over the real world practicalities.

Sam K Horton‘s debut dark historical fantasy novel (the first in a series) is richly written with well drawn main characters and detailed world building. Horton handles the book‘s main themes about faith, tradition and finding your own identity in an intelligent way and although I have some nitpicks (there are a couple of historical anachronisms and at times the writing too much), the ending has a neat set up for a sequel that I‘d definitely read.

Rana Foroohar is global business columnist and associate editor at the Financial Times and CNN‘s global economic analyst. Published in 2019 it‘s an absorbing and frightening look at how Facebook, Amazon, Apple, Netflix and Google hoard data and intellectual property to maintain market dominance, influence politics and maintain their value and a prescient warning given how the companies are now jostling to influence the incoming Trump presidency.

Andrew Reid‘s debut action thriller is an assured affair with solid pacing and interesting main characters in the form of Cameron King and Ray Perada (who I was pleased did not succumb to a predictable romance). However the storyline between Cameron and Nate falls apart in the final quarter with revelations that suspend credulity, which is a shame because there‘s some solid writing here and the premise is perfect beach reading.

Robert Goddard‘s crime thriller is intricately constructed and Wada is a fascinating main character with the action taking place in Japan, the UK, the US and Iceland. The pacing works well and a dual storyline of Nick Miller also being contacted by Caldwell fleshes out the backstory. A sequel was published in 2024, which I will definitely check out and am otherwise I am keen to read Goddard‘s other work.

The second in Sarah Bowie‘s self-illustrated humorous graphic novel for readers aged 9+ is a well-constructed, fun affair filled with verbal and visual jokes. There‘s a useful summary at the front if you haven‘t read book 1 and Nina is such a well drawn character that you root for her, especially against the awful Megan. Certainly there‘s more than enough here for me to want to read book 1 and I look forward to seeing what Bowie does next.

Sarah Langford is a practising barrister specialising in criminal and family law. This absorbing and thought-provoking memoir looks at 11 of her cases (details anonymised for privacy reasons) to set out the limitations of the justice system together with how it changed the respective defendants lives and the lessons that Langford took from them and in the increasingly crowded legal market stands out for looking at the English Family Court.

Amber Chen‘s Chinese-inspired YA fantasy (the first in a duology) has interesting world-building and I liked the focus on engineering. However the pacing is inconsistent (especially in the final quarter), the plot relies heavily on things happening to Ying rather than her agency and her romance with Ye-yang is unconvincing, in part because Ye-yang is under-drawn as a character. That said, the ending is interesting and I would read the sequel.

Anam Iqbal‘s thoughtful debut YA romance uses the opposites attract trope to explore issues relevant to the British Muslim community. However, even for me there‘s a lot of plot here while the book‘s key mystery goes unresolved (albeit there‘s scope for a sequel) and the privilege porn wasn‘t questioned enough for me. That said, it‘s good to see a YA romance with Muslim characters and there‘s enough here for me to want to Iqbal‘s next book.

Richard Osman‘s thriller (the first in a new series) couples jet-setting action, wry observations - particularly about ageing and dealing with grief - sharp one-liners and an interesting trio of central characters. However for me, neither Rosie nor Amy quite rang true in terms of their characters and the plot - though entertaining - was too easy to guess. That said there‘s a lot of potential here and I will definitely read the sequel.

Freddie Kölsch‘s debut YA historical dark fantasy/horror mixes THE CRAFT with IT in an engrossing tale of love, sacrifice and ancient evil. I believed in Nesbit‘s relationship with the charismatic but tragic Bastion and the way Kölsch reveals North Dana‘s dark history is well done. However I wonder how well modern teenagers will relate to the 90s setting and Cameron didn‘t quite work for me in terms of his role in the story.

Mick Herron‘s thriller (the first in the OXFORD SERIES) mixes sharp one-liners, genuine twists and cynicism but Sarah‘s convoluted back story didn‘t work for me given what you see of her before it‘s revealed. Zoë Boehm makes a bigger impact despite limited page time and I found both her and the dangerous and driven Michael Downey more interesting characters. It‘s an entertaining read and I will read on, but it‘s not as good as SLOUGH HOUSE.

This entertaining educational board book that explains what “opposite” means and gives a number of examples. The illustrations are jolly and young readers will learn about big and small, young and old (although learning that 42 and 3 quarters is old felt like a significant kick in the guts), wet and dry among others. All in all it‘s a book that young readers will enjoy and learn something from and perfect for Hey Duggee fans.

Sam Copeland‘s humorous fantasy novel for readers aged 9+ (the first in a series) has some genuine laugh-out-loud moments and gleefully subverts a number of the fantasy cliches. Although I think Alex has more depth than Axel and some of the resolutions to plot difficulties were too pat, there are also some genuinely moving moments and I enjoyed the adventure such that I would definitely read the sequel.

Pete Brown is a food and drink commentator and food award judge. This is a fascinating look at 9 dishes that have come to be regarded as quintessentially British (including curry, cream teas and fish and chips) with Brown mixing comment on their development, place in British society, questions of authenticity and what they say about British class and culture with his own relationship with food, having grown up working class in Barnsley.

Philip Carter‘s conspiracy thriller is a pacy read that keeps the action coming with plenty of chases, fights and double crosses plus some screaming orgasms for good measure. However while Carter does well at balancing the different plot strands, the fates of the antagonists was underwhelming and I found the central conspiracies a little tasteless and disrespectful. It‘s a decent beach read if you‘re looking for something to hold your attention.

Kim Ghattas is an Emmy Award-winning journalist born and raised in Lebanon who has spent 20 years covering the Middle East for the BBC and Financial Times. This well-researched book argues that 1979 set Saudi Arabia and Iran on a path that‘s shaped the Middle East. Ghattas has a readable style and I came away feeling but there are a lot of figures in play here and despite a useful list, I sometimes found myself confused about who was who.

RuPaul Charles is a drag icon, actor, podcaster and the host and producer of an international drag show competition franchise. Although this memoir intends to reveal the real RuPaul and he talks a lot about a traumatic childhood through to the beginnings of his drag career and how he met his husband Georges LeBar, there‘s a therapy filter at play here, which creates a sense of distance so I came away feeling like I hadn‘t seen the real RuPaul.

Lauren James‘s standalone YA thriller is very strong on fame, fandoms and toxic fan behaviour but the murder aspect was under-powered for me with the villain too easy to guess and a final twist that didn‘t ring true. At the same time, Delilah‘s backstory was too busy and a sub-plot involving her best friend Nida feeling superfluous. That said, it is a fast-paced read and James has something to say so I would check out her next book.

Tom Hindle‘s standalone murder mystery is an entertaining take on locked room mysteries set amongst the haves, the almost haves and the wanna haves in a glamorous location. I enjoyed how Hindle builds in backstory for the various characters but with such a large cast, there are inevitably some caricatures and unfortunately I guessed the killer and their motivation a little too early for the book to be wholly successful for me.

Chris Skinner is a financial markets commentator and former advisor to the White House and the World Bank. In this book he makes some interesting arguments about the future of technology and there‘s an interesting case study of Ant Financial and Alipay but he simply down‘t want to consider the dangers of the tech he evangelises here, which was a big negative for me - especially when he uses examples from China, where it is part of state control.

The fourth in Julia Quinn‘s bestselling BRIDGERTON SERIES is an entertaining Georgian romance where most of my interest came in seeing where the story and characters differ from the Netflix series. It utilises the trope of friends to lovers and although some of the writing isn‘t technically great (everyone feels the need to use each other‘s name all the time), there‘s some sharp dialogue and fun lines such that I‘d read the rest of the series.

Sharna Jackson‘s mystery sequel for readers aged 9+ is an emotionally sophisticated affair that deals with grief, regret and betrayal in a way that the target readership can relate to. The 9 night structure gives the Copseys plenty of scope to dig into the suspects, including Wesley‘s mum which lends tension and the mystery itself is more about Rachel herself than her death. All in all it‘s a solid read and I‘d check out Jackson‘s other books.

Paul O‘Grady was a comedian, actor, TV presenter, chat show host and British national treasure. The third in his autobiographical quartet charts the 1980s as he hones Lily Savage in Northern clubs (dragging Vera with him), overseas and London‘s gay clubs and searches for love in all the wrong places. But tragedy isn‘t far away as HIV starts to bite and O‘Grady suffers more loss closer to home that even his sharp wit struggles to see the humour in.

Ashley Hickson-Lovence‘s YA novel effectively uses its verse narrative to tell a compelling story of a boy who learns how to tap into his creativity to express himself. However I don‘t think that the Malachi storyline had the intended impact and nor did Ronny‘s friendship with the extroverted Leigh. That said, the use of language is great and Ronny‘s guilt over Maz holds true. I‘d definitely check out the author‘s other work on the basis of this.