Two surreal graphic novels about technology, corporatization, and alienation in the modern world by a cult-favorite comics innovator. In 1968, the British artist and writer Martin Vaughn-James emigrated to Canada. Over the next eight years, he proceeded to produce some of the most mesmerizing and inventive works in comics, light-years ahead of his contemporaries. Among them were Elephant and The Projector, linked graphic novels that guide the reader (and a bespectacled Everyman) through landscapes built out of both the everyday and the nightmarish. Jam-packed superhighways, plummeting horses, vast urban wastelands, colossal businessmen, demented cartoon animals, and interstellar oranges are just a small part of Vaughn-James�s prophetic vision of society�s turn away from the natural world to the artificial. Together for the first time in a single volume, designed and edited by Seth and with an introduction by Jeet Heer, Elephant and The Projector stand as a reminder that we have yet to catch up to Vaughn-James.
(less)Two surreal graphic novels about technology, corporatization, and alienation in the modern world by a cult-favorite comics innovator. In 1968, the British artist and writer Martin Vaughn-James emigrated to Canada. Over the next eight
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The Projector and Elephant | 
