This is a solid collection of essays about the state of 21st century American fiction, the pros and cons of academic studies in creative writing, the grim reality of the publishing business.
I‘d have still gotten my MFA even if I‘d read this before I applied, but I still kinda wish I‘d read it then.
Also, the Gordon Lish essay is downright skeevy and gross, and I‘d love to read a post-#MeToo take on it.