A welcome and worthy addition to the rather crowded assortment of books about Rodgers, Hammerstein, or Rodgers & Hammerstein that already exist. The audio is well-read by Purdum himself, though I hear the physical copy has pictures...oh well!
A welcome and worthy addition to the rather crowded assortment of books about Rodgers, Hammerstein, or Rodgers & Hammerstein that already exist. The audio is well-read by Purdum himself, though I hear the physical copy has pictures...oh well!
Just learned Sean Connery was in the ensemble of the original London cast of South Pacific. I can‘t handle the thought.
TIL the out of town script for Carousel included an “actually god is female too” scene that didn‘t go over well with the critics, so they cut it and gave us the starkeeper instead.
Thanks a lot, old critics.
This book was fantastic—really well structured with succinct writing and tons of interesting details, showing how each of R&H‘s musicals evolved from idea to creation to production. Among their shows, they wrote Oklahoma!, Carousel, South Pacific, The King and I, and The Sound of Music in just over 15 years. Now all I want to do is listen to the original cast recordings and see the movie adaptations again. ⭐️⭐️⭐️⭐️⭐️
For as long as I can remember the musicals of Rodgers and Hammerstein have been a huge part of my life. I still remember the first time my mother took me to see a production of Carousel and later I was in a production myself. I may have just started this book but I am already in love and fascinated with the tales behind the songs that filled my childhood.