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Slough House
Slough House | Mick Herron
7 posts | 7 read | 1 to read
*PRE-ORDER SLOUGH HOUSE NOW! - Soon to be a TV series starring Gary Oldman* 'Slough House, is as eye-wateringly funny as it is nerve-shreddingly tense. I think this might be the best Jackson Lamb outing yet' Christopher Brookmyre 'This is a darker, scarier Herron. The gags are still there but the satire's more biting. The privatization of a secret service op and the manipulation of news is relevant and horribly credible' Ann Cleeves 'Mick Herron is one of the finest writers of his generation' Steve Cavanagh 'Razor-sharp prose, fully formed characters and an underlying pathos make this series the most exciting development in spy fiction since the Cold War' The Times 'Kill us? They've never needed to kill us,' said Lamb. 'I mean, look at us. What would be the point?' A year after a calamitous blunder by the Russian secret service left a British citizen dead from novichok poisoning, Diana Taverner is on the warpath. What seems a gutless response from the government has pushed the Service's First Desk into mounting her own counter-offensive - but she's had to make a deal with the devil first. And given that the devil in question is arch-manipulator Peter Judd, she could be about to lose control of everything she's fought for. Meanwhile, still reeling from recent losses, the slow horses are worried they've been pushed further into the cold. Slough House has been wiped from Service records, and fatal accidents keep happening. No wonder Jackson Lamb's crew are feeling paranoid. But have they actually been targeted? With a new populist movement taking a grip on London's streets, and the old order ensuring that everything's for sale to the highest bidder, the world's an uncomfortable place for those deemed surplus to requirements. The wise move would be to find a safe place and wait for the troubles to pass. But the slow horses aren't famed for making wise decisions. 'The new king of the spy thriller' Mail on Sunday 'As a master of wit, satire, insight... Herron is difficult to overpraise' Daily Telegraph 'Irresistible writing ... ironclad storytelling and off-kilter humour' Financial Times 'Mick Herron's novels are a satirical chronicle of modern Britain . . . in their gleefully shocking way, his books reflect the trajectory of the nation' The Economist
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Robotswithpersonality
Slough House | Mick Herron
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When you write a presumed dead character back into a series, it does make it a little more difficult to believe that you've truly killed off another character at the end of the same book. That being said, I can see where the author might feel he'd done everything he could with River Cartwright. 1/? [It's gonna be a long one]

Robotswithpersonality 2/? Found out how he got framed, discovered the truth about his mother and father, brought the engaging motif of his grandfather the guardian and old spy to a close via dementia and death,brought the barely-hinted love interest back and alleviated guilt at her passing, made him actually appear to act on the idea of moving on with his life, in the face of multiple books making clear that no action taken from Slough House would get a person back 2w
Robotswithpersonality 3/? into the good graces of the Park. If the audience is supposed to be rooting for Cartwright, his death is dismaying, but if that audience is looking for Cartwright's story to have a clear resolution, it doesn't get more resolved than death. 2w
Robotswithpersonality 4/? I feel like over the course of the series, the reader comes to understand that for the most part, Slough House is a rotating cast of characters, and while Catherine Standish and Jackson Lamb might come as a set, Cartwright is capable of being relegated to the background, and so bumping him off is not out of the realm of possibility. Still, spies and subterfuge, I'm not sure I trust the ending, less wishful thinking for a better ending 2w
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Robotswithpersonality 5/? for River, more a skepticism provoked by the series itself.
I'll admit this series hasn't really ever been character first for me. The ensemble cast of slow horses are discouragingly constant in their ability to make bad choices, and those that stay for multiple books are repellant for their own reasons, Roderick Ho is insufferable which no amount of satirizing his oblivious ego makes more endurable, River Cartwright is depressingly earnest
2w
Robotswithpersonality 6/? with nothing to show for it, Jackson Lamb is offensive and Catherine Standish is grimly self-flagellating in her withstanding of Lamb's worst and her seeming inability to have anything in her life beyond her recognition that she is an alcoholic always a step away from relapse. 2w
Robotswithpersonality 7/? What works so well in this series is the author's ability to write a taut tale of intrigue without falling into the breathlessly dramatic tropes of thrillers, always a web of dirty dealing unfolding with snappy dialogue and off colour banter (warnings for every type of casually prejudiced language you could imagine) , and always this glimmer of something greater when Lamb makes it clear that regardless of what else politicians, 2w
Robotswithpersonality 8/? movers and shakers and members of the secret service are getting up to, you won't get one over on him, and you don't fuck with his joes. I think that's what makes it so distinct from the thriller subgenre I despise, and makes me curious about whether other spy novels work the same way, there is a thread of clever confident cat and mouse, not flailing about and panicking, and there are those attempting to keep to the side of law and order over 2w
Robotswithpersonality 9/? chaos and corruption. I'm curious to see how Diana Taverner (an opponent that I'm now realizing the series couldn't really exist without) weasels her way out of the latest mess she's gotten herself into, and what Slough House looks like in the wake of River's fate. I could honestly see the next book being the last, which makes the fact that there's a new one scheduled to be published in the coming year particularly interesting. 2w
Robotswithpersonality 10/10 This is a series that I've stepped away from before; I could see doing so again depending on where the next book ends. That being said, the plot and pacing on show in this entry were spectacular, did not feel too dark/dismal, just sucked me right in. A very good series for a quick-paced tandem read, devouring the whole book in a day with the help of 2x audio. 2w
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Robotswithpersonality
Slough House | Mick Herron
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Should I find that funny? The cackle I just let out says I do. Let's call it darkly humourous. 🫢

dabbe Dark humorous is the only place to go these days. 🖤 2w
BarbaraJean I feel like this has to be the philosophy behind Trump's Cabinet picks. 2w
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andrew61
Slough House | Mick Herron
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I finished the 7th of the slow horses series earlier this week, the praise heaped on this modern take on spy novel is well deserved. Jackson Lamb is a brilliant creation, and his devotion to his 'joes', a group of rejects from mi5, is contrasted with his appalling abuse of them in all his grossness. Here, the assassination of a Russian spy after the Salisbury novichok killings leads to direct risk to Slough House. Still not seen the TV show.

Traci1 I've only read a couple of these but really liked them. 10mo
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CatMS
Slough House | Mick Herron
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Reading the 7th book in the slow horses series, they just keep getting better.

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tessavi
Slough House | Mick Herron
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Small #bookhaul

CatMS Am a big fan of Jane Harper S well as Mick Herron. Harper's "Lost Man" was excellent and I highly recommend all her books. 2y
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IReadThereforeIBlog
Slough House | Mick Herron
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The 7th in Mick Herron‘s SLOUGH HOUSE SERIES is another fast-paced, action packed spy thriller that adds biting satire to the temperature of the nation. There is a sense of pieces being moved ready for further developments, most notably in the change in dynamic between Judd and Lady Di, and it‘s not clear what the return of Sid will mean long term but the devastating ending and the question it leaves means I am very keen to read the next book.