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Aspects of the Novel
Aspects of the Novel | E. M. Forster
10 posts | 11 read | 20 to read
Sponsored by Trinity College of the University of Cambridge, The Clark Lectures have a long and distinguished history and have featured remarks by some of England's most important literary minds: Leslie Stephen, T. S. Eliot, F. R. Leavis, William Epsom, and I. A. Richards. All have given celebrated and widely influential talks as featured keynote speakers. n important milestone came in 1927 when, for the first time, a novelist was invited to speak: E.M. Forster had recently published his masterpiece, A Passage to India, and rose to the occasion, delivering eight spirited and penetrating lectures on the novel. The decision to accept the lectureship was a difficult one for Forster. He had deeply ambivalent feelings about the use of criticism. Although suspecting that criticism was somewhat antithetical to creation, and upset by the thought that time spent on the lectures took away from his own work, Forster accepted. His talks were witty and informal, and consisted of sharp penetrating bursts of insight rather than overly-methodical analysis. In short, they were a great success. Gathered and published later as Aspects of the Novel, the ideas articulated in his lectures would gain widespread recognition and currency in twentieth century criticism. Of all of the insights contained within Aspects of the Novel, none has been more influential or widely discussed than Forster's discussion of "flat" and "round" characters. So familiar by now as to seem commonplace, Forster's distinction is meant to categorize the different qualities of characters in literature and examine the purposes to which they are put. Still, it would be wrong to reduce this book to its most famous line of argument and enquiry. Aspects of the Novel also discusses the difference between story and plot, the characteristics of prophetic fiction, and narrative chronology. Throughout, Forster draws on his extensive readings in English, French, and Russian literature, and discusses his ideas in reference to such figures as Joyce, Tolstoy, Dostoevsky, James, Sterne, Defoe, and Proust.
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TracyReadsBooks
Aspects of the Novel | E. M. Forster
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Pickpick

If you read this expecting a “how to” on writing a novel, you will undoubtedly be disappointed. If, however, you read the series of lectures collected in this slim volume as Forster‘s opinion on what a novel is, key elements of the novel, what works & doesn‘t work (with examples drawn from well known books) &, above all, a discussion of the authors he loves & really doesn‘t, you will likely be as entertained as I was. Dated but very interesting.

nanuska_153 I bought this recently! Glad to hear it's interesting 3y
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TracyReadsBooks
Aspects of the Novel | E. M. Forster
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This morning‘s reading is quite interesting so far. A series of lectures collected into a single volume, this book is Forster talking about writing, elements of a story, and, unsurprisingly, his opinions of other authors. His disdain for Sir Walter Scott is impressive.

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ImperfectCJ
Aspects of the Novel | E. M. Forster
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Pickpick

In the 1920s, the lecture series appears to have been the equivalent of today's serial podcast, or at least that's how this collection reads to me. Forster is casual but erudite, and through his thorough and sometimes humorous analysis, he conveys his deep understanding of and love for the novel as a literary form. There was much more to this book than I expected, and I very much enjoyed it.
And it's my #bookspin for August! @TheAromaofBooks

catiewithac Stacked!! 4y
TheAromaofBooks Great review!! 4y
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ImperfectCJ
Aspects of the Novel | E. M. Forster
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"If human nature does alter it will be because individuals manage to look at themselves in a new way. Here and there people... are trying to do this. Every institution and vested interest is against such a search: organized religion, the state, the family in its economic aspect, have nothing to gain, and it is only when outward prohibitions weaken that it can proceed: history conditions it to that extent."

Realistic but hopeful.

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ImperfectCJ
Aspects of the Novel | E. M. Forster
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"It is a pity that Man cannot be at the same time impressive and truthful."

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TK-421
Aspects of the Novel | E. M. Forster
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“In daily life we never understand each other, neither complete clairvoyance nor complete confessional exists. We know each other approximately, by external signs, and these serve well enough as a basis for society and even for intimacy. But people in a novel can be understood completely by the reader, if the novelist wishes; their inner as well as their outer life can be exposed. ⬇️

TK-421 And this is why they often seem more definite than characters in history, or even our own friends; we have been told all about them that can be told; even if they are imperfect or unreal they do not contain any secrets, whereas our friends do and must, mutual secrecy being one of the conditions of life upon this #globe.” #QuotsyApr20 5y
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REPollock
Aspects of the Novel | E. M. Forster
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The current writer‘s craft book in the queue.

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KikiLovesBooks
Aspects of the Novel | E. M. Forster
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I have no idea if this quote is actually from the book, but it certainly fits his theme.

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quirkyreader
Aspects of the Novel | E. M. Forster
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@Liberty I don't remember my first adult novel, because I was an advanced reader. Reading at grade 4 level when I was in grade 1. I do remember that it probably was one of my father's Penguins or Puffins that he had from University. The high reading level probably developed because of two things, I am a high functioning Autistic person and my mum would spend hours reading to me. I would follow her around the house and scream READ!

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hwheaties
Aspects of the Novel | E. M. Forster
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Jimmy found a new spot to hooch up in. Luckily for us, there are literally books everywhere in my house. This is one I've used to inform my teaching. Good times.

Liberty 💕 8y
hwheaties @Liberty He's my snugglewumpus. 8y
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