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Eric Fischl emerged in the 1980s as one of America's most important figurative painters. His paintings, many of which show a single intense moment, compel the viewer to participate in a world of middle-class suburban ambiguity and drama. In Fischl's engaging distinctly American canvases, narrative, morality, sexuality, and psychology are preeminent. This volume, an expanded edition of "Eric Fischl 1970-2000," is the most comprehensive examination of this important contemporary painter. More than 250 works, selected in conjunction with the artist, present the full scope of Fischl's career: the formative work of the 1970s; the breakthrough paintings of the 1980s, including the controversial "Sleepwalker" and "Bad Boy"; and the mature work, often of a personal and contemplative nature, of the 1990s and 2000s. In his most recent paintings, Fischl has turned to multipiece cycles: "The Bed, The Chair" series, starting with "The Philosopher's Chair"; canvases inspired by trips to Italy and India; and the paintings Fischl terms them "narrative fictions" of the "Krefeld Project." These engrossing images have been accomplished with a mastery that has been compared to that of Caravaggio. The introduction, by philosopher and critic Arthur C. Danto, offers a perceptive study of Fischl's work over the course of four decades. Commentary drawn from interviews with the artist, conducted by noted writer Robert Enright, accompanies the paintings. Finally, a witty and personal afterword by Steve Martin, best known as a gifted comic actor and author, but also an astute collector of modern art, discusses "Barbeque," a famed Fischl painting from his private collection."