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You Made Me Love You
You Made Me Love You: Selected Stories, 1981-2018 | John Edgar Wideman
5 posts | 3 read
A powerful selection of the best of John Edgar Widemans short stories over his fifty-year career, representing the wide range of his intellectual and artistic pursuits. When John Edgar Wideman won the PEN Malamud Award in 2019, he joined a list of esteemed writersfrom Eudora Welty to George Saundersall of whom are acknowledged masters of the short story. Widemans commitment to short fiction has been lifelong, and here he gathers a representative selection from throughout his career, stories that challenge what defines, separates, and unites us; dare to push form and defy convention; and, to quote Wideman, seek to deconstruct the given formulas of African American culture and life. Widemans stories are grounded in the streets and the people of Homewood, the Pittsburgh neighborhood of his childhood, but they range far beyond there, to the small western towns of Wyoming and historic Philadelphia, the contemporary world and the ancient past. He explores the interior lives of his characters, and the external pressures that shape them. These stories are as intellectually intricate as they are rich with the language and character. John Edgar Widemans short stories render an internal and external world as vivid and intricate as Faulkners, as emotionally painful as Baldwins, and as unique as his own streets and stoops of Homewood, wrote the PEN/Malamud Award selection committee. Comprised of thirty-five stories drawn from past collections (American Histories, Briefs, Gods Gym, All Stories Are True, Fever, and Damballah), and an introductory essay by the National Book Critics Circle board member and scholar Walton Muyumba, this volume of Widemans selected stories celebrates the lifelong significance of this major American writers essential contribution to a formilluminating the ways that he has made it his own.
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Billypar
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Pickpick

I'm surprised I'm just now discovering John Wideman and that he isn't more widely read in general based on how good he is. This collection is culled from other collections over almost four decades, and even though his style does change with time, it never hesitates to break from the main action in favor of these more associative, poetic sequences that give each story an emotional core. I'm looking forward to trying more of his work.

sarahbarnes I remember reading a book of his for a class in college and liking it. I completely forgot about it until seeing your post. 3mo
Billypar @sarahbarnes I'll have to check that one out! He's a perfect choice for a college course - his writing is challenging with lots to unpack. I tried this one recently but had to set it aside because I wasn't clicking with the audio version. 3mo
Aimeesue @sarahbarnes He‘s super perfect for a college class - he was a guest at one of mine. My metaphors class? I did not, of course, sufficiently appreciate this at the time. (edited) 2mo
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Nathan_Opland-Dobs
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Bailedbailed

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Pinta
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Beautiful, impressionistic piece on writing: the writer at his desk, free form, broken sentences, quick glimpses. The green-grey slicker in the rain. The subway girl telling whole stories with just her eyes.

“An unwritten story is one that never happens. A story is never until after the writing. Before is pipe dream. Something lost you wish you hadn‘t or wish you had. Gone before it got here.”

Stories desperate to be written.

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Pinta
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^^come ON such a description of the bball court on a fall day. “You EAT LEAF trying to get in a little hoop before the weather turns” the precision of language, the sharing of stories and passing of the wine bottle, the longing for community and lost love.

“He needs a story now. The right one now to get him through this long winter because she‘s gone and won‘t leave him alone.” Such a construction: gone but won‘t leave! Stories as sustenance.

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Pinta
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WHY am I just now learning about John Edgar Wideman? Rhythmic, muscular writing & keen observations of his native Pittsburgh & beyond. Collection contains over 40 years of gorgeous prose, some experimental, some more straightforward realism, all with an amazing intimacy & sense of structure. Family sagas, writer‘s trials, mothers & sons, prison visits, African spiritualism, blind basketball, burying an abandoned child. Killer stories, all. 2021